The Fighter (2010) Directed by David O. Russell Length: 115 minutes Rated R for language throughout, drug content, some violence, and sexuality
Academy awards and boxing films seem to go hand-in-hand, a cinematic peanut butter and jelly combo. Much like its pugilistic predecessors - Raging Bull, Million Dollar Baby, Rocky, Cinderella Man - The Fighter is sure to be nominated for several awards and rightfully so. This modern biopic takes the typical underdog story and adds layer after layer of obstacles in the form of the protagonist's own "support" system. A drug addicted brother, a meddlesome and greedy family, and a case of self-depreciation all make for a powerful yet fun film.
Mark Walhberg (The Other Guys, Ted) plays "Irish" Mickey Ward, a soft-spoken up-and-coming boxer known for his brawling style in the ring. Though Ward has the talent and the ability to win a title, several obstacles have led to repeated defeats in the ring. Ward's half-brother and trainer Dicky Eklund, played by the amazing Christian Bale (The 13 Women of Nanjing, The Dark Knight Rises), knows what Ward needs to win it all, but his crack addiction and obsession with his past glory threaten to destroy any chance his brother may have at a title. Coupled with an over-bearing and greedy mother/manager, played by Melissa Leo (Treme, Red State), Ward faces several obstacles that threaten to derail his promising career.
Walhberg, as the star and protagonist of the film, does a good job, but his performance is vastly overshadowed by the manic, hilarious, tragic, and brilliant performance delivered by Christian Bale. Bale has been mentioned as an Oscar nominee potential, but it would be next to impossible to fathom anyone denying Bale his first Oscar award. Additionally, Leo's turn as the manager/mother of Ward is equally impressive. Catty, greedy, and downright despicable, Leo's selfish mother is the perfect foil to Ward's dedication and gentle nature. The redemptive message of the film is most evident during a touching scene between Bale and Leo in which he subdues her anger by sharing a song even though she has just caught him leaving a crack den. Additionally, Amy Adams (On the Road, Leap Year) as Mickey's girlfriend and supporter Charlene Fleming shows she can do more than play the pretty and innocent girl. The heavy drinking, hard hitting Charlene acts as the voice for Mickey when he most needs to stand-up for himself, providing some of most humorous scenes as Charlene gets into a massive cat-fight with Mickey's gaggle of Bostonian sisters.
While the focus is less on the boxing and more on the drama, the level of dedication evident by each of the actors is immediately apparent. Without a doubt, The Fighter is one of the year's best films and will be a strong contender come Oscar time. Christian Bale alone makes the film worth seeing even if you hate boxing. Be sure to see this film and enjoy the masterful performances from this amazing cast. It's a wicked piss-ah!
Final Rating: 4 out of 5 stars
Favorite Quote: Not really a quote, but the scene between Christian Bale and Melissa Leo when they both sing a Bee Gees song.
Oscar Winners Best Supporting Actor - Christian Bale Best Supporting Actress - Melissa Leo Oscar Nominations: Best Achievement in Directing - David O. Russell Best Achievement in Editing Best Motion Picture Best Supporting Actress - Amy Adams Best Original Screenplay
TRON: Legacy (2010) Directed by Joseph Kosinski Length: 127 minutes Rated PG for sequences of sci-fi action violence and brief mild language
In 1982, Disney released TRON - a film that became a cult classic for its futuristic graphics and concepts. Though the film has been loved by geeks and fanboys alike for many years, the film largely remained a relatively unknown member of Disney's extensive vault. With the popularity of 3D films and the amazing capabilities of graphic designers and programs, the highly anticipated sequel has finally arrived to capture a new generation of TRON fanatics.
TRON: Legacy centers on Sam Flynn, played by Garrett Hedlund (Country Strong, On the Road), son of the original film's protagonist Kevin Flynn. After receiving a mysterious page from his father's old arcade, Sam discovers his father's secret lab that transports him to The Grid, a digital city where programs and users can interact and anything is possible. Though Sam's father shared tales of the majestic beauty of The Grid, Sam soon discovers his father identical clone Clu has assumed control and seeks to escape to the real world.
The film relies heavily on nostalgia and impressive graphics to make up for a lackluster and incredibly predictable plot. Hedlund does a serviceable job as the protagonist; though his character lacks any real depth, this good looking newcomer has a bright future ahead of him. Jeff Bridges (True Grit, Pablo) once again resumes his role as Sam's father Kevin Flynn, the creator of The Grid. Additionally, Bridges pulls double-duty as the tyrannical renegade program Clu a la a digitally rendered version of a younger Bridges. Bridges is one of the best actors in Hollywood today; however, it often felt as if his character was simply The Dude from The Big Lebowski with a glowing robe.
Beyond the main actors, the film boasts an impressive support cast, namely the beautiful Olivia Wilde (HouseM.D., Cowboys & Aliens) as Quorra and Michael Sheen (Alice in Wonderland, The Twilight Saga: Breaking Dawn - Parts I & II) as Castor/Zeus. Quorra is Kevin Flynn's new protegee, equally deadly as she is sexy. My favorite character of the film is Sheen's Castor/Zeus, an eccentric night club owner known for his ability to procure things. Though Sheen is essentially the digital version of the Mad Hatter from Alice in Wonderland, his zany hi-jinks and mannerisms provide several humorous moments.
Perhaps the most important aspect of TRON: Legacy is the graphics. Though the original may not hold up to the test of time, it is often cited as a film ahead of its time if not solely for its concepts. Needless to say, Disney spared no expense in creating the magnificent digital landscape of The Grid. From the towering sky scrapers, to fan-favorites like the light cycles, the graphics alone make the film worth seeing in the theater. Though the film uses a relatively muted color scheme throughout, the amount of detail and imagination required to develop the sprawling landscape of this film is breathtaking. While it is hard to tell how much the 3D experience assisted with the graphics, this is one film worth the extra few dollars, as opposed to the epic failure that was Clash of the Titans.
Additionally, what would a futuristic movie set in a digital world be without an impressive electronica soundtrack? Thankfully, Disney made a great call selecting the legendary and mysterious French electronica duo Daft Punk to develop the score of the film. While Daft Punk fans may lament the soundtrack as very un-Daft Punk like, for a movie soundtrack it is one of the years best. One could still argue both The Social Network and Inception boast more impressive compositions, but from a music lover's perspective, this has been one of Hollywood's best for film scores in several years. Additionally, be sure to note the cameo by the band during the night club scene as the pair DJ an impromptu battle.
Ultimately, several non-TRON fans may not appreciate the ingenuity found in this long awaited sequel as the story is a bit convoluted yet predictable and the action a bit hokie. There is no denying the impressiveness of this digital wonderland. Boasting incredible graphics, a killer soundtrack, and some fun action sequences, TRON: Legacy is a successful sequel that lives up to both fan and newcomer's expectations. Definitely be sure to check this out in the theater while you still can!
Final Rating: 4 out of 5 stars
Favorite Quote: Kevin Flynn: "You're messing up my zen-thing...man."
Oscar Nominations: Best Achievement in Sound Editing
127 Hours (2010) Directed by Danny Boyle Length: 94 minutes Rated R for language and some disturbing violent content/bloody images
Okay, let's get this out of the way. The arm scene is pretty gruesome and difficult to watch. For those of you who happen to be living under a rock (insert tongue in cheek), 127 Hours is based on the true story of Aron Ralston, an adventurous outdoors enthusiast with a panache for escaping both people and society. In 2003, Ralston was canyoneering alone near Moab, Utah, when a large boulder fell and lodged Ralston's arm between a literal rock and a hard place, trapping him alone in the desert with little food and water. After several days attempting to move the boulder, Ralston was forced to take dramatic efforts in order to survive - breaking and severing his own arm with nothing more than a dull knife. Once free, Ralston found his way to safety and survived the dramatic event.
Portraying Ralston onscreen is heartthrob James Franco (Eat Pray Love, Your Highness). Delivering a performance that will surely net Franco the distinct honor of not only co-hosting the 2011 Academy Awards but also a Best Actor nomination, Franco perfectly captures the essence of a man attempting to maintain his sanity in the face of death while accepting the inevitable fate that awaits. Making a film that essentially stars one character can be a difficult prospect, but Franco nails the role perfectly. Several scenes involving Ralston and his camcorder cement the brilliance of this young actor, particularly a scene in which Ralston "hosts" a morning talk show featuring several different Ralstons reflecting on his predicament. In an almost "Gollum-like" fashion Franco portrays several different personalities/characters at one time before ending with a tear-jerker lament to Ralston's mother and father.
Director Danny Boyle has built a reputation as one of the most unique and stylized directors in Hollywood. No matter the genre or content, you can always tell when you are watching a Boyle film as he melds frantic camerawork with resplendent scenery. Boyle's beautiful camerawork illustrates the reasons Ralston desires to escape the troubles of family and society with shots of majestic mountains, sunlight running down a canyon, and clear blue skies. Additionally, few directors could handle the amputation, a graphic yet important scene, with the right balance of gore and tastefulness like Boyle does. Make no mistake, watching someone break and then sever their own arm is difficult, no matter how "strong" of a stomach you have. Several cases have reported people fainting or vomiting during the key scene.
While 127 Hours will not surpass films such as Inception or The Social Network for the distinction of best picture of 2010, Danny Boyle once again delivers. 127 Hours is a beautiful yet horrifying take on a triumphant true story. Combined with the best performance of James Franco's young career, do not be surprised to see 127 Hours represented in several Oscar categories this February. Be sure not to miss this amazing film; just don't forget to bring your doggy-bag if you get queasy!
Final Rating: 4 out of 5 stars
Favorite Quote: Don't really have a quote, but I'll go with the lesson I learned from the movie. Never buy the cheap multi-tool. Always splurge on the high quality Swiss Army Knife.
Oscar Nominations: Best Achievement in Editing Best Original Score Best Original Song - "If I Rise" by A.R. Rahman, Dido, and Rollo Armstrong Best Motion Picture Best Actor in a Leading Role - James Franco Best Adapted Screenplay
Love and Other Drugs (2010) Directed by Edward Zwick Length: 112 minutes Rated R for strong sexual content, nudity, pervasive language, and some drug material
Beautiful actors in a torrid romantic comedy that does a nice job of mixing laughs, sentiment, tears, and sex? Sounds like a nice date movie (for the couples capable of handling LOTS of said sex and sultry scenes). The latest rom-com to hit the theaters stars hunky blue eyed Jake Gyllenhaal (Source Code, Prince of Persia: The Sands of Time) as Jamie Randall, a smooth-talking pharmaceutical sales rep capable of wooing any woman. The girl who soon becomes the object of his affection? Maggie Murdock, played by the charming Anne Hathaway (One Day, Alice in Wonderland), a free-spirited artist who has been diagnosed with stage-one Parkinson's disease. Maggie tries to stay detached from others because of her disease, but romance ensues along with all the other traditional elements of the romantic comedy genre.
While the film doesn't really do anything new, it is a fun film overall. Hathaway is quickly challenging Kate Winslet for the actress most often seen naked. Nudity aside, the romantic scenes between the two actors feel quite intense and passionate. There are several moments where you'll wonder if the performance is really faked or a much deeper connection beyond the characters. Both Gyllenhaal and Hathaway perform their roles well and seem like a good onscreen pair.
The comedic elements found in Love and Other Drugs are quite humorous, although they rely heavily on one trick. Being a movie about a pharmaceutical rep that sales Viagra, you can imagine there are several dick jokes. While funny, after a while you know what's coming (no pun intended). If you needed a basis for comparison, the film is reminiscent of Jerry Maguire for its ability to mix comedy and romance with a modern flair. However, Love and Other Drugs fails to really nail the iconic "You complete me" moment. The big, romantic monologue that you know is coming falls a bit short of expectations.
Additionally, the film seems unsure of just what direction it wants to go. At times it seems destined for more grandiose themes like problems with the health care industry, pharmaceutical sales, or societal views on debilitating diseases. However, the film never really scratches beyond the surface. Minus this mishmash of too many ideas into one story, the film proves to be a fun experience for both guy and girl. With great eye candy, laugh-out-loud moments, and several steamy romance scenes, Love and Other Drugs is a great date night idea for those couples looking to compromise on a film.
Final Rating: 3 out of 5 stars
Favorite Quote: Josh Randall: "Do you think dad is that big?"
Frozen (2010) Directed by Adam Green Length: 93 minutes Rated for some disturbing images and language
The state of horror movies is in shambles. Where are the modern classics? It seems the genre reached its peak back in the 1970s with The Exorcist and Jaws, etc. A genre reduced to shitty reboots (Nightmare on Elm Street, Friday the 13th), the latest PG-13 crapfest, or outlandish movies aiming for the gross-out factor (Saw, The Human Centipede, Rubber). Thankfully, Frozen is a fresh idea that is well executed. Though not a horror film in the traditional sense, the type of scary found here is the most frightening of all, because it could really happen.
Emma Bell (The Walking Dead, Final Destination 5), Shawn Ashmore (Mother's Day, The Mariachi Gringo), and Kevin Zegers (Gossip Girl, The Entitled) play a group of college students looking to escape the troubles of school by spending the day skiing at a local resort. When the group finds itself short on cash for lift tickets, they bribe the lift operator into letting them ride. As the sun begins to set, the group sets out for one last ride. That's when the fun begins - the lift is shut down with the group trapped midway up the mountain with no lights, an incoming storm, and no expected help for at least a week. Will help arrive to save the trapped group, or will they have to find a way out on their own?
Though the film does a good job of walking the line between believable and non, several scenes are still quite gruesome. Let's just say compound fractures are not a fun thing to witness. The actors do a good job of avoiding the pitfall of overacting, as so often happens in horror. While not scary, the tension created in several key scenes is amazing. You will find yourself cheering on the group as they fight impending death.
While not the instant classic we all clamor for, Frozen is the breath of fresh air Hollywood needs, not just the horror genre. Too often, both film and television rely on past ideas for the latest offerings. That is why it is so important for you, the viewer, to support the new and original. Frozen may not be your cup of tea; I'll admit I initially found the trailer to be quite ludicrous - something I had to see, if not just to make fun of it. But, instead, I found a solid film that is well executed. Don't be afraid to give it a try: unless you plan on skiing anytime soon.
Final Rating: 3 out 5 stars
Favorite Quote: [Parker lights a cigarette and begins smoking. Joe sniffing the air, exaggerated.] Joe Lynch: "Hmmm, smell that mountain air. You know what it smells like? ...Cancer."
Morning Glory(2010) Directed by Roger Michell Length: 102 minutes Rated PG-13 for some sexual content including dialogue, language, and brief drug references
Before you say it, allow me a chance to defend myself. Rushmore Movies did not sell out. My core movie principles and expectations were not compromised by seeing a "chick flick." In fact, even though it may appear to be a chick flick, Morning Glory is actually light on the romance and heavy on the laughs in this fun comedy. Instant classic? Not even close. But this is the kind of "fluffy" film you have to appreciate; I mean they can't all be Citizen Kane.
Rachel McAdams (Midnight in Paris, The Vow) plays Becky Fuller, the spunky, ambitious, yet klutzy producer for a local New Jersey morning show. After being fired, Becky finds herself a new job in the big city as the producer for New York's worst rated morning program. Charged with raising viewership, Becky begins her seemingly insurmountable climb towards redeeming the morning show, Daybreak. Initially, I felt McAdam's character was over-the-top until she finds her stride towards the middle. Though McAdams is touted as the protagonist of the film, I found the film to be a stronger group effort and more centrally focused on the character of Mike Pomeroy, the surly new co-host of Daybreak. I consider myself a fan of McAdams, possibly more for her good looks and girl-next-door charm, but this isn't my favorite performance from her.
Diane Keaton (Tilda, Darling Companion) as Colleen Peck and Harrison Ford (Cowboys & Aliens, Extraordinary Measures) as Mike Pomeroy play the unlikely hosts of Daybreak - unlikely in the sense that they could not be more opposite. Colleen represents the morning television natural, more at home talking about cooking recipes and kissing frogs than reporting on the latest in Afghanistan, while Mike is the award winning reporter forced to honor his contract and co-host Daybreak. Though the duo work well together on screen, Keaton's Colleen is forgettable in comparison to Ford's Pomeroy. Ford has long enjoyed a great career, and it is refreshing to see him in a lighter role. His snarling demeanor and prima donna mentality provide some of the best laughs throughout the movie.
Yes, the film is ultimately more of the same saccharin that typically plagues America's movie theaters. But it is refreshing to find a film that avoids the typical pitfalls of a film heavily geared towards a female audience. Not only is the film very funny, it feels accessible to all. Every good "bromance" deserves a "chickedy" (I'm coining the term to mean chick comedy) that can overcome the promos to reach a wider audience. Definitely be sure to check out this fun film!
Final Rating: 3 out of 5 stars
Favorite Quote: Mike Pomeroy: "Where are my God damn eggs!"
Predators (2010) Directed by Nimród Antal Length: 107 minutes Rated R for strong creature violence and gore, and pervasive language
Another science-fiction film, another disappointment. Understandably, the sci-fi/horror genre has long been known for the campy B-movies, Saturday night Syfy special, adolescent scripts, bad acting, etc. But for every Inception, it seems we get twenty films like Predators - a snoozer of a story, type-cast acting, and a sorry ending that leaves you feeling used and unfulfilled.
Featuring the alien hunters made famous in the Arnold Schwarzenegger 1987 classic Predator, Predators is an attempt to return to what made the original so popular - focusing on a highly skilled group of soldiers being hunted in the jungle by an advanced and efficient killing machine. The film begins with eight strangers awakening to find themselves stranded on a mysterious planet. But something is hunting them, threatening to kill them if they don't work together.
However, instead of featuring an endearing group to root for, we are left with the United Nations squad of type-casting: a Mexican drug enforcer, a Japanese Yakuza, a Russian soldier, an African death squad member, etc. Leading our merry band of misfits? The guy who peaked on his first movie (The Pianist), Adrien Brody (The Experiment, Splice) as Royce, the rugged mercenary who speaks in the Batman voice. Make no mistake, Brody is a talented actor; he just needs a new agent who doesn't pick every shitty sci-fi/horror film in production. Regardless of who the actors are, it ultimately makes no difference. The dialogue consist of the general action movie bravado and low-brow testosterone fodder that plagues so many action films today.
While I found the concept intriguing, the delivery falls flat. How can you have a movie called Predators and not show a single alien until thirty minutes have passed? Additionally, the death scenes are relatively anti-climatic, and the final showdown is predictable and underwhelming. As a fan of the Alien/Predator saga, I was quite excited when I heard Robert Rodriguez, the genius behind Planet Terror (of Grindhouse) and Sin City, was developing a script for a new Predator movie. Unfortunately, any fanboy sentiment was quickly eradicated upon pressing play on my DVD player.
The film is not very good, and honestly I never expected it to be. But it would have been nice to have a decent return to a cherished sci-fi franchise. Unfortunately, it seems that would be asking too much. Cool concepts alone cannot save a film when the more important elements like a decent ending, engaging dialogue, decent acting, etc. are all lacking. Hopefully Ridley Scott's Alien prequel will redeem the franchises. If you are in the mood for a mindless action flick, you could do worse. Just expect to be a stoic zombie for an hour and a half.
